rosa mesa 's performance has been focused in the idea of working her themes in a way that makes her feel closer to the public as well as compromise with the space and time in which she is presenting her pieces. This compromise translates itself in a need to create performances that will be performed only once. The works are presented without previous rehearsal and her interest is to present different views in relation to any given theme. Although there are some general concepts that she likes to work with as it could be migration, multiculturality, identity, feminism or universal rights and politics she does not consider possible to reduce her wok to a style or theme. Her whole body of work responds to a deconstrucionist approach to reality that works toward a constructive standpoint. Her pieces are often public interventions, being one of the members of the Berlin based collective daily services and an active performer within several artist associations. Her works takes inspirat…
Following my exploration within the performance as an intervention with the audience, the piece explores the relationships established by human beings when they come in contact with each other. Deprived of visual and verbal contact (most common forms of communication). In this first piece of a series dedicated to the exploration of the intangible, I will invite the audience to join me in a two-day interactive project. (20 hours)
They explored topics such as intuition, empathy, cooperation and fear.
During two days and during working hours the artist was in a dark room, in the TEA(Tenerife Espacio de las artes). The public could enter freely one by one and with the condition of not establishing verbal contact with the artist (physical contact was allowed). The participants were instructed to take note of the assigned number and then leave their comments on the experience. The person wandered through the space until he or she met (or not) the artist.
Siguiendo mi trayectoria dentro del …
They explored topics such as intuition, empathy, cooperation and fear.
During two days and during working hours the artist was in a dark room, in the TEA(Tenerife Espacio de las artes). The public could enter freely one by one and with the condition of not establishing verbal contact with the artist (physical contact was allowed). The participants were instructed to take note of the assigned number and then leave their comments on the experience. The person wandered through the space until he or she met (or not) the artist.
Siguiendo mi trayectoria dentro del …